Maybe It's Love

This special limited edition spot gloss slipcover is limited to 2,000 units and is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.

Named after Yasujiro Ozu’s custom-made, tatami-level, crab-like tripod, Kani is a new home video label dedicated to leveling the gaze and furthering the understanding of Asian cinema in North America. Focused on genre-defying films, Kani aims to expand the canon, bolster up-and-coming filmmakers and reintroduce repertory classics in context. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!

Following her parent's separation, 10 year-old Marbles is sent to live with her grandmother in the outskirts of Hong Kong. Also new to town is the seductive pageant queen Rita (Cherie Chung) whose skin-tight leotards pique the interest of a dashing postman (Kent Tong) already involved with the shopkeeper's wife, Lin (Elaine Jin). Meanwhile, the curious Marbles, who has made it a habit of spying on her neighbours with her binoculars, witnesses a murder on a stormy night. A ragtag team of kid detectives comes together. Who is the killer? Where is the body?

Angie Chen, the first female director at Shaw Brothers Studio, began her career with a rich and unclassifiable ensemble film: part comedy of manners à la Shaw, part Nancy Drew-esque nod to Hitchcock’s Rear Window — all of which was marketed by the studio as an erotic whodunnit. Chen's film unfolds as all these things and more: a self-aware portrait of a small-town mentality and community, fore-fronting the interconnected lives of women whose tenacity would become a major theme of Chen's work, developed further in My Name Ain’t Suzie (1985).

directed by: Angie Chen
starring: Chui Hoh-Ying, Cherie Chung, Elaine Jin, Kent Tong
1984 / 90 min / 1.85:1 / Cantonese DTS-HD MA 2.0

Additional info: